Semi-Centennial Ultra is a series of predictions for the next 50 years. The work presents a speculative vision of future art, culture, and technology, where boundaries between mediums, species, and disciplines dissolve in favor of radical new modes of expression.
I, Sinkhole is a poem written with products in a Zazzle store. The full poem can be ordered by purchasing all the products directly from Zazzle, or each line may be ordered as a separate product. A digital version of the poem is issued on Objkt as a limited edition NFT.
Self-Riding Animal was shown at the Museum of Crypto Art, Decentreland, curated by co1born in hyperif.io.
Report from Future Times is a speculative provocation that takes the form of a video report by an unnamed source from the future who outlines the contours of a world transformed by artists and designers.
Ways of Something is a collaborative re-make in four episodes of John Berger’s influential 1972 documentary “Ways of Seeing,” which explored the hidden forces of power, wealth, and desire at work in traditional notions of art.
Space Video addresses ideas of inner and outer space exploration through a generative system that mixes an original non-linear narrative with YouTube videos uploaded in real time.
Medium is a print book which revisits Marshall McLuhan and Quentin Fiore’s 1967 book The Medium is the Massage. The original book has been flattened and matched with compositionally similar images from the internet.
PATH is a 12 volume bookwork with text generated by the physical movement of an anonymous individual living in the city of Montreal between 2005–2007.
Source Material Everywhere: a remix collects the Wikipedia entries for the three terms – “Source”, “Material” and “Everywhere” – and compiles them into a printed book in an edition of 1.
Why Some Dolls Are Bad is a dynamically generated graphic novel built on the now-defunct public Facebook API that engages themes of ethics, fashion, and artifice.
Grafik Dynamo is a net art work by Kate Armstrong & Michael Tippett that loads live images from the internet into a live action comic strip.
PING distributed psychogeographic commands to participants calling in to a custom software platform from their cell phones at a time when you had to ask people to bring a cell phone.